Tragically Hip
Our culture is consumed with following the tragedies of the real and unreal, a trend which is played out in all media. The hit series Degrassi: The Next Generation, and an interview with Lindsay Lohan featured in the November 2005 issue of Flare magazine present a worthy comparison. These are just two examples of how the media has created an unhealthy obsession with troubled teens leading to the belief that they are not hip if something tragic hasn’t happened to them, such as extreme change and outside pressure.
These media disclose the secret lives of popular adolescents who have been faced with tremendous tragedies. The issues are presented in such a glamorous way that one can’t help wanting to be the same. By blowing these troubles out of proportion and plastering them on tabloid covers and daily commercials, the wrong idea becomes the right idea, and it is the diligent followers and faithful disciples who pay.
Both Degrassi’s fictional teens and Flare’s real life teens have undergone drastic changes which caused them to become popular and important among their peers, family and fans. For example, the character of Jimmy in Degrassi used to be the sportsman of the school, the basketball star, the champion of the gym. He was shot in the back causing him to be completely paralyzed from the waist down. Merely being in the wrong place at the wrong time chained him to the seat of a wheelchair for the rest of his life. In that moment an entire life was turned upside down and everything he had worked for was blasted away. A sudden physical change alters the course of his life forever.
Similarly, Lindsay Lohan talks about her sudden transformation “when I got out of the hospital after, [Herbie: Fully Loaded] I lost a lot of weight- nearly 25lb- so there is pressure to keep the weight of”. (Flare Magazine, November, 2005, p72.) Featured in the top left hand corner of the article is a full body shot of the actress wearing a silky sleeveless cocktail dress and black pumps. She looks quite different in this photograph, as Lohan’s locks are not her famous auburn, but rather, suddenly bleach blond. Using the cliché cover girl image, Lindsay grabbed the attention of the press, and now the world wants to hear all about it.
There are instances in both examples where pressure from others has motivated the teens to be or do something to be ‘cool’. Jimmy had been training to play professional basketball, a dream he shared with his father. Even while bound to a wheelchair, Jimmy’s dad continued to push him, “. . . be a champ . . .” (Degrassi, “I Still Haven’t Found What I’m Looking For.”) and never give up on his dream. Jimmy’s father pushed him so hard that he forgot who’s dream it was. Quickly, the dream vanished like the sharp sound of that fateful revolver.
Dreams of living the Hollywood life came as second nature to Lindsay Lohan. But when those dreams became reality she feels pressure to keep off the weight she lost. Her image as a young teenage icon sparks the response of young hopefuls. To this point in her career she had managed to stay true to herself, not being tainted by the demands of popular culture and style. Her sudden weight loss and change of characteristic hair attracted so much attention that it would be ludicrous for her to go back to her natural ways. It is clear that outside pressure has led to this new direction.
The medium is clearly the message here. The glamorization of trouble and tragedy cause the audience to believe popularity will follow notoriety. They have become tragically hip.
These media disclose the secret lives of popular adolescents who have been faced with tremendous tragedies. The issues are presented in such a glamorous way that one can’t help wanting to be the same. By blowing these troubles out of proportion and plastering them on tabloid covers and daily commercials, the wrong idea becomes the right idea, and it is the diligent followers and faithful disciples who pay.
Both Degrassi’s fictional teens and Flare’s real life teens have undergone drastic changes which caused them to become popular and important among their peers, family and fans. For example, the character of Jimmy in Degrassi used to be the sportsman of the school, the basketball star, the champion of the gym. He was shot in the back causing him to be completely paralyzed from the waist down. Merely being in the wrong place at the wrong time chained him to the seat of a wheelchair for the rest of his life. In that moment an entire life was turned upside down and everything he had worked for was blasted away. A sudden physical change alters the course of his life forever.
Similarly, Lindsay Lohan talks about her sudden transformation “when I got out of the hospital after, [Herbie: Fully Loaded] I lost a lot of weight- nearly 25lb- so there is pressure to keep the weight of”. (Flare Magazine, November, 2005, p72.) Featured in the top left hand corner of the article is a full body shot of the actress wearing a silky sleeveless cocktail dress and black pumps. She looks quite different in this photograph, as Lohan’s locks are not her famous auburn, but rather, suddenly bleach blond. Using the cliché cover girl image, Lindsay grabbed the attention of the press, and now the world wants to hear all about it.
There are instances in both examples where pressure from others has motivated the teens to be or do something to be ‘cool’. Jimmy had been training to play professional basketball, a dream he shared with his father. Even while bound to a wheelchair, Jimmy’s dad continued to push him, “. . . be a champ . . .” (Degrassi, “I Still Haven’t Found What I’m Looking For.”) and never give up on his dream. Jimmy’s father pushed him so hard that he forgot who’s dream it was. Quickly, the dream vanished like the sharp sound of that fateful revolver.
Dreams of living the Hollywood life came as second nature to Lindsay Lohan. But when those dreams became reality she feels pressure to keep off the weight she lost. Her image as a young teenage icon sparks the response of young hopefuls. To this point in her career she had managed to stay true to herself, not being tainted by the demands of popular culture and style. Her sudden weight loss and change of characteristic hair attracted so much attention that it would be ludicrous for her to go back to her natural ways. It is clear that outside pressure has led to this new direction.
The medium is clearly the message here. The glamorization of trouble and tragedy cause the audience to believe popularity will follow notoriety. They have become tragically hip.

